VIENNA SUCCESSION
-Felt oppressed by the old people
-Youth movements that come after that is the next step. Here you have some young people who want to have fun add some sex and rock and roll.
- Old people liked traditional art like painting
- As we're moving forward we're moving towards abstraction
- Anything other then the real is a form of abstraction
- Abstraction is a continuum away from the literal; not classic representation. If things become too abstract and lose the content it loses it's audience.
- Succession had elements of French Art Nouveau
- The Succession's magazine pages were interesting. They designed the ads in their magazine to be aesthetically pleasing.
- 1903 Roller poster
- The language design of the 60s poster comes from inspiration from art nouveau
- "Psychedelic" 60 poster is an unreadable typeface. People are challenging the readability. If you want to read then you can read it. It was geared towards young people in the 60s versus old people.
- In early 1900s they really pushed bounds of typography
- All of this is leading towards a modern poster style
PETER BEHRENS
- Created a piece called "The Kiss" which was controversial
- he will soon become a designer for AEG, German power company
- He is believed to be the first to experiment with running san serif type
- Really advicant of san serif type
- He created the first cohesive identity package
- Pioneers non low bearing walls
- 1904 He becomes influenced by Professor
- inspired by symmetrical geometric squares and circle
- 1906 he invented the nylonium
- Thirds are the most mathematical system
- He locks on this idea with circles and squares
- Created 1908 Pavilion poster
- 1907 Behrens gets hired by AEG
- He develops an idea that an identity system in which logos, typeface, layouts, should be consistent in all realms
- This system is like the family bible
- He takes it a step further.. applies this method to electric company
- Designed iconic AEG 1910 poster
- He designed a turbine hall
- 1914 AIGA beings founded right on WWI
LUCIAN BERNHARD
- Early part of the 20th century there is a very important evolution in poster
- Lucian Bernhard is a starving painter
- Imagery is reductive
- Lucian Bernhard did not like the Bauhaus
- He did not think that art is not a theory
- The pendulum conundrum of swaying back and forth from we are designers we design for people versus we are also art
PROPAGANDA POSTER
- U Boote Heraus! poster is the first propaganda design
- It has a lot of abstract design. The U is bleeding into the captain's jacket
- The waves can be hills and has a witty design
- The typeface is interacting with the graphic
- A clear and sophisticated way of thinking
- Kriegsanteine is a poster of an 8 with a serpent and arrows
- This is another war propaganda poster
- It is not a literal poster which causes the viewer to think to get it
- Allies vs Axis Powers
- Axis Power had amazing design
- They had strong symbolism. It is very abstract
- You have to get it. you have to think to get it.
-Allies poster were weak
- They were more based on illustrations
- The posters were like spoon feeding the idea to an audience
- WWI is the first mechanized war. It was exciting because it was new. However it tore up society and people saw the hardship. Likewise, design also got torn up
- During times of national tension you do not want to be the guy who doesn't play along
- Brilliant propaganda to corner people
MORE POSTER DESIGNS
- Ludwig Hohlwein had alliances with the Axis Power
- 1914 poster plays with dimensions and figure ground reversal
- influenced by Asian prints
- Did a poster in 1986 German olympics
- German designs were bad ass
- Ironically, Hitler did not like this approach to design
- In "Mein Kampf" he complains that the propaganda posters are wrong minded. He believes that posters should speak to the least sophisticated minds.
- Hohlwein is good with emotional impact using contrast
- "Und Du?" is a poster Hohlwein did which has this ambiguous face of a solider. You understand this menacing presence and strong figure. Taking a step further you can see the flag, and eyes. It also looks like a giant penis.
- Poster for the Daily Herald you see influences of early abstraction.
- The poster features abstract birds and heavy use of negative space
- You can see modern art budding out
- Cubism has it's hay day in the 1900s
- A. M. Cassander created the L'INTRANS poster
- This poster used grid like pattern
- It's not shows in the poster but it's an internal grid
- Proportion system at play
- Cassander is a master of poster designs especially with travel
- Sophisticated abstraction
- Cassander created Dubonnet poster
- The great thing about the Dubonnet poster is that Cassander played with the name of the words into the graphic
ART IN RUSSIA
- Dotism is the reaction to "why is art makes sense?"
- Gestalt also came out when Dotism created
- Gestalt thought about what was the geometric solution to problems
- Suprematism is happening the same time Cubism comes out
- is influenced my futurism
- is about art for art's sake
- It's just about emotion. Just pure feeling
- If you are against suprematism then the pendulum swings to the realm of art needs function
- rejects utilitarian function and pictorial representation
- Dynofuturism is futurism and dotism
- Avante Garde means out in front artist
- Three big players in Russia: Rodchanko, Lissizky, Tatin (SP???)
PERSONAL THOUGHTS
Wow, class today was just wow. For some reason I feel like my brain got a lot more information then usual. We started class discussing about the Vienna Succession and how elements of art nouveau grew. Iconic psychedelic 60 typography and design actually got inspired from art nouveau. I would have never guessed that! I really loved the discussion on 60's typography. The thought of a specific typeface typography had such a deep meaning for the 60's generation. It was like a secret code for people who cared to read the text could read it. I think it's a very cool idea that the 60's was able to pull off such a feat.
From the 60's we discussed about famous AEG designer, Peter Behrens. He is absolute inspiring. I love how he solved everything with mathematical solutions. WWI really pushed the world's technology forward. Not only that but also art and design. It's extremely interesting that how much war can push our society. Behrens develops an idea that an identity system in which logos, typeface, layouts, should be consistent in all realms. It's really interesting to see the world of design have more structure in it.
One of the most interesting tidbits I learned was Adolf Hitler's strong dislike to Axis Power's propaganda poster designs. They were so ridiculously amazing! I love seeing the comparison between Allies and Axis posters. It's like seeing the past of design and the future of design. Earlier this sem in 2D class we learned about figure ground reversal. It's fun to see it pop in historical poster designs. Poster designs are so interesting! They are so fun to look at.
Kasimir Malevich was a suprematism artist. He rejected pictorial representation and favored abstraction that elicit emotion. He created the art piece "black square" I loved your discussion on the emotion, placement, and meaning. From propaganda posters we start going into more modern and abstract art.
QUESTIONS
The pendulum metaphor you mentioned in today's lecture was interesting. The idea that artist are in a constant struggle between art being art and art being functional. What is your opinion and where do you side in the pendulum?